Modern European Drama by Dr. S. Priya Dharsini is a comprehensive and scholarly textbook designed in accordance with the FYUGP NEP and CBCS syllabus for BA 6th Semester English Honours students across Dibrugarh University, Bodoland University, Assam University, and other Indian institutions. The book provides an insightful exploration of the evolution, themes, styles, and theatrical innovations that shaped modern European drama from the late 19th century to the mid-20th century.

The text offers critical analyses of key playwrights and dramatic movements, including Realism, Naturalism, Symbolism, Expressionism, Epic Theatre, and Absurd Drama. Through detailed discussions of major dramatists such as Henrik Ibsen, Anton Chekhov, George Bernard Shaw, Bertolt Brecht, Samuel Beckett, and others, the book highlights how modern European drama challenged traditional theatrical conventions and addressed pressing social, political, and psychological concerns.

Each chapter presents clear explanations, contextual background, thematic studies, character analysis, dramatic techniques, and critical interpretations, making the subject accessible to undergraduate learners. The book also incorporates exam-oriented insights, classroom-friendly explanations, and updated scholarly viewpoints, ensuring its usefulness for both students and teachers.

Published by Mahaveer Publications, this volume serves as an essential academic resource for understanding the transformative period of European theatre and its lasting influence on modern world drama.

UNIT I: GHOSTS

Henrik Ibsen (Pages 56–117)

• Social hypocrisy and moral conflict

• Symbolism and realism

• Themes: heredity, freedom, societal norms

• Character study and critical analysis

UNIT II: THE GOOD WOMAN OF SZECHUAN

Bertolt Brecht (Pages 118–171)

• Epic theatre and alienation effect

• Goodness vs. survival in society

• Capitalism, morality, and social injustice

• Analysis of characters and dramatic techniques

UNIT III: WAITING FOR GODOT

Samuel Beckett (Pages 172–208)

• Theatre of the Absurd

• Meaninglessness, time, existence

• Minimalist setting and cyclical narrative

• Character interpretation: Vladimir, Estragon, Pozzo, Lucky

UNIT IV: RHINOCEROS

Eugène Ionesco (Pages 256–308)

• Absurdism and existentialist themes

• Conformity vs. individuality

• The metaphor of “Rhinoceritis”

• Stylistic innovations and critical perspectives